A series of experimental scores in which the performer improvises different elements of the pieces. While every performance should be different, these structured improvisations are intended to produce variety within a recognizable and simple piece. My interest was in creating pieces in which the most interesting feature would be what was “left out” of the score. These “Neo-Post-Primitivist Compositions” were partially intended as a mockingly simplistic reaction to the music, polemics, and nonsensical pseudo-philosophical jargon of my peers heavily influenced by French “deconstructionism”.

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